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Recent Movie Reviews#8992
This movie started out well. A very attractive woman surfing on a beautiful, secluded beach. There was some great cinematography and shots of the area. Blake Lively even seems to be a decent actress.
Then the shark stuff starts, and from the very beginning, we have to forget about everything we know about sharks and play pretend. First of all, she really ticks off the shark somehow by disturbing its "feeding grounds." She approaches a dead whale that the shark was feeding on and seems to have offended the shark somehow. So the shark ignores the thousands of pounds of floating, dead meat in the water for the rest of the movie, and pursues the 100 pound surfer girl exclusively.
The surfer seeks refuge on the carcass of the whale, then the shark drags a dead whale many times its size further out into the ocean, and seems hell bent on knocking her off. In her escape from the floating whale to a small rock outcropping, she's bitten by the shark, and has some serious wounds from both the bite and coral. The shark is circling her, she's bleeding heavily, and there's no one around who can help.
At this point, I'm still willing to forgive the whole shark ignoring the dead whale to pursue a person who isn't even in the water any more. It still felt suspenseful. I wanted her to find a way out and survive. The movie still had my interest and I still cared what happened to her.
Then things got real, real stupid. The shark continued to circle, and killed a drunk on the beach who was trying to reach her. Then it killed two other surfers that she'd met the day before. It tried jumping up on the coral to reach her, and pretty much completely stopped acting like a shark. She managed to escape to a buoy as the tide came in, and the shark proceeded to rip the giant, steel buoy to pieces. She shoots the shark with a flare gun then lights whale oil in the water on fire with it, also lighting the shark on fire. I had already written off the movie at this point, but kept watching as I was already close to the end.
She then ties herself to the anchor that was holding the buoy in place, and as the shark breaks the chains away she is pulled hundreds of feet under water in the matter of a couple of seconds, and the shark chases her at full speed with reckless abandon to kill her. It ends up impaling itself on the jagged spikes which were apparently part of the anchor.
And yea, that was it. A stranded, wounded surfer with nothing kills an over 20 foot long shark by making it chase her into spikes. Dumb.
You know what would have been good? A wounded surfer on a small rock outcropping tries to keep her sanity and get help to survive a shark attack. Leave out the dead whale because that kind of made the rest of the movie not make sense. Don't make a wounded, half dead surfer kill a 20+ foot shark, that's not the victory that the movie needed. It would have been sufficient to have her survive. You don't have to schlock it up with the typical Hollywood type ending.
Sharks are scary enough, you don't have to make it cartoonish shark with a vendetta against a surfer. Every time the shark did something stupid that a shark would never do, it became less suspenseful. I don't know why they went down that road, but they turned a movie that started out pretty suspenseful into a SciFi Channel made for TV special with a dumb ending.
I liked that it was based in modern times and the girl who played Annie did a wonderful job with the character. The musical scenes were great as well. I even had tears at the ending. Very emotional and great movie in all. The movie is about Annie who is a foster child and lives in NYC with 4 other girls and her foster Mom. She is saved by a man who is running for mayor and eventually gets adopted in the end. The story is well done to adapt to modern times and the characters are really good. The girl who plays Annie is a great singer and the whole movie will brighten your day. I would definitely see it again. This could be a new classic in its own right.#9093
Vin Diesel was vying to be the new 21st Century James Bond character as extreme sports action star turned super agent Xander Cage. Despite the success of the first film, Diesel skipped the sequel.
The film begins with Gibbons (Jackson) trying to recruit footballer Neymar to the xXx team when a descending satellite crashes on them.
The Mcguffin is a high tech Pandora's Box that can control and crash satellites orbiting the Earth. It has been stolen from the CIA office by four highly skilled operatives led by Xiang (Donny Yen.)
Xander Cage (Vin Diesel) is sought out to retrieve the box and asked to assemble his own crew. Cage finds out that Xiang also used to be part of the xXx program and he stole the device to prevent its misuse.
The plot is hackneyed and also rather daft. The film has enough entertaining set pieces to give it momentum but you feel that with the multi national and diverse cast that the producers were aiming for a more inferior version of the Fast and Franchise type film and this is what you get.
In Colorado, the lonely Milton (Nicolas Cage) hunts down a gang of worshipers of a satanic cult trying to find where their leader Jonah King (Billy Burke) is. King has killed Milton's daughter and abducted her baby to sacrifice him at midnight of a full moon in Stillwater and Milton wants to rescue his granddaughter.
Milton reaches Oklahoma and finds that Stillwater is a deactivated prison in Louisiana. Then he helps the waitress Piper (Amber Heard) first with her damaged car and then he protects her against her brutal boyfriend. In return, she gives a ride to him to Louisianna. Soon they discover that a mysterious stranger called The Accountant (William Fichtner) is chasing them. What is the secret of Milton and The Accountant?
"Drive Angry" is a brainless, but also a highly entertaining movie with the trash story of a man that escapes from hell to save his granddaughter and is hunted by the reaper. There is non-stop action and havoc, with car chases; shootings; and the hot Amber Heard. The cast has Nicolas Cage, William Fichtner in a parody of the role of Alex Mahone in "Prison Break" and David Morse. My suggestion is to shutdown your brain and to enjoy this funny movie. My vote is seven.
Title (Brazil): "Fúria Sobre Rodas" ("Rage over Wheels")
Note: On 19 June 2015, I saw this movie again.
This is a wonderful concept four stories directed by four women - and in that respect, much kudos for the poster artwork, sexy Lip-Skull-Kiss.
I'll break this down into the four short films, but let me say that the Dark Fantasy, stop-motion, animation segue's that tie the stories together is superb and quite haunting, in its own right.
The Box -
Penned by Jack Ketchum is the best film of the four. Jovanka Vuckovic wrote the screenplay as well as directing the film. She does a good job of bringing a tenseness to the whole tale of a family going through a mysterious trauma after her son looks into an ambiguous present a stranger is holding, on his lap, on the subway train. From that moment on he stops eating.
Vuckovic did a good job of casting as all the actors and actresses in the story do a commendable job of portraying their characters, along with their feelings. Jonathon Watton is especially believable as the dad, Robert Jacobs, who is scared, angry, worried, and concerned for the safety and future of his son. Whereas his wife, Susan Jacobs, suitable portrayed by Natalie Brown, distances herself from the happenings and troubles in her family... until it's too late. Though one of best characterisations comes from Michael Dyson who is brilliant as the man on the train with the mysterious present; right from the moment he turns his head to look at the boy, you know this isn't going to end well. There's something dark and ominous about the man in the black fedora.
Liked this film a lot and though you never know what's in the box... I really don't want to find out.
The Box - 8/10
The Birthday Party -
This segment was written and directed by St. Vincent (AKA Annie Clark). For me, this is the weakest of the four stories and isn't even a horror story. What you have in this little story is a poor relative to "A Weekend At Bernie's", without the dark humour. A rich woman wakes up in her big house and is getting the place ready for her daughters birthday when she stumbles across the dead body of her husband, who she thought had been out all night. Instead of calling the police she decides to hide the body from their daughter and the nanny. What's worse is that if you didn't actually get the joke, Clark decides to literally spell it out to the audience in the way of a two-part chapter heading- this is when my heart sank even further. I won't even mention the characters except that a more unbelievable cast I have never seen.
The Birthday Party - 1/10
Don't Fall -
This is a strange title for the story as it has nothing to do with falling. What writer and director Roxanne Benjamin gives you is an action tale of possession. While out hiking, four friends come across a strange petroglyph on a rock. That evening one of their group goes missing... The bad thing about this story is there's no atmosphere, no feeling of terror or horror that something supernatural is occurring. There was plenty of instances within the story where Benjamin could have created tension but no she went for all out action. This was a waste of a story - it could have been so much more. The acting was average and the actresses who played Gretchen, Breeda Wool, made her too irritating.
Don't Fall - 5/10
Her Only Living Son -
Karyn Kusama is the writer and director of this bright tale of darkness. I liked the fact she tells most of this story about a boy's eighteenth birthday and his right-of-passage into more than just manhood out of the shadows of night and in the brightness daylight. This is a difficult thing to do as horror and tension lead itself to darker arenas. It's the strangeness of the characters and their actions, as well as some situations, that give the feeling something isn't quite right in this town. I would have liked a little more tension and oppressive feeling, given the ending and the reveal, but on the whole, Kusama does a good job. The characters are believable, I particularly liked the postman, Chet, portrayed well by Mike Doyle.
Her Only Living Son - 6.5/10
I would recommend this film for The Box and the segue, though only to die hard horror fans that can sit through the bad bits.
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