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Recent Movie Reviews#8916
Greetings again from the darkness. For those high school Literature teachers struggling to get their students to embrace the classics from writers like Jane Austen, this movie won't help much. However, chances are good that those same students will enjoy this blending of 19th century British class warfare with "The Walking Dead" – likely one of their favorite shows. The zombie apocalypse has landed in the middle of Austen's prim and proper story, including the repressed attraction between Elizabeth Bennett and Mr. Darcy.
Anyone expecting the serious undertones of Ms. Austen's1813 novel will be disappointed but the title should have provided a pretty solid hint. While her characters and general story line act as a structure here, it's really based on Seth Grahame-Smith's YA hit novel delivering zombie battles and often zany humor. Burr Steers (Igby Goes Down) directs his own adapted screenplay and seems to really be having a great time – right along with his talented cast. The sets, costumes, dialogue and fight scenes work together to create an unusual movie experience that will generate plenty of laughs while not dwelling on the zombies or violence (it is PG-13). Expect most critics to destroy this one because it's made simply for fun, not for art.
Of course, any Pride and Prejudice spin-off (even one with zombies) must pay particular attention to Elizabeth Bennett and Mr. Darcy. It turns out that Elizabeth and her four sisters are highly trained warriors raised to survive against the undead. It's even clearer for Mr. Darcy as he is billed as a zombie hunter and protector of Mr. Bingley, the rich bachelor hooked on Jane Bennett. Things get muddled by the devious Mr. Wickham, a focused Lady Catherine de Bourgh, and especially the flamboyant fop Parson Collins. The interactions between these characters bounce between loyalty, romantic attraction, emotional turmoil and hand-to-hand combat with enough comedic elements that most viewers will find plenty of opportunities to laugh.
The talented cast is all in. They play it mostly straight (with one major exception) to achieve the balance between somber and silly. Lily James ("Downton Abbey") and Sam Riley (On the Road, 2012) are both fun to watch as Elizabeth and Darcy. They are the film's best fighters both with swords and words. Bella Heathcoate (Dark Shadows, 2012) is "the pretty one" Jane, who is wooed by Douglas Booth (Noah, 2014) as Mr. Bingley. Lena Headey ("Game of Thrones") makes an impression in her limited screen time as an eye-patched Lady Catherine de Bourgh, and Jack Huston ("Boardwalk Empire") is well cast as Wickham. Screen veterans Charles Dance and Sally Phillips take on the role of parents to the five Bennett daughters, but it's Matt Smith ("Dr Who"), who turns the film on its ear with his unconventional twist on the oddball Parson Collins, who pretty much steals each of his scenes. He had those in the theatre laughing out loud more than a few times.
Pity is the word that comes to mind for any young man who takes these Bennett girls to the prom or more likely to one of the societal balls. The weapons hidden under their formal gowns offer fair warning to zombies and handsy suitors alike. It's this element of strong women (physically and emotionally) that might even allow Ms. Austen to appreciate what's happened to her characters were she alive to see it.
Even though the film offers plenty of fun with laughs and action and romance, let's hope it doesn't kick off a new zombie-adaptation trend. Here are a few titles that we hope never see the big screen: Sense and Sensibilities and Zombies, War and Peace and Zombies, Crime and Punishment and Zombies, The Old Zombie and the Sea, Wuthering Zombies, Romeo and Juliet and Zombies, and Alice's Adventure in Zombieland.
First, an explanation for that admittedly inflated rating: I felt it necessary to offset what I think were some pretty harsh ratings given elsewhere. As far as the film goes, I think its first-time writer-director did a great job in crafting a story whose plot-line and characters' actions are rationally defensible. That alone is a goddamn miracle in this day and age. True, I would have given more consideration in establishing the cemetery scene as the explosive catalyst, but it accomplishes what it's meant to: It gets Thomas and Lawrence where they need to be - at each other's throats. As is always the case with such fare, you can nitpick elsewhere, too. But the bottom line is that "Standoff" plays fair with its audience. Despite not taking my Ritalin I didn't get bored once or felt like my intelligence was insulted. The best piece of advice I can give the prospective viewer is not to expect any Michael Bay-level pyrotechnics. It ain't that kind of flick, Bubba (again, that's a good thing). It's an interesting study of two men at the end of their ropes whose skill sets lend themselves to the tasks at hand. All the actors are at least credible and the camera work and lighting are exceptionally good for this kind of film. Finally, the banter between the two stars is what makes the film.#8256
Horrible movie which did the same for The Tuskegee Airmen (1995) that Pearl Harbor did for Tora! Tora! Tora! Watching the movie, I felt like I was watching a Playstation game. The computer generated graphics were so unreal looking, unlike past WWII movies like Memphis Bell, Flags of our Fathers and Letters from Iwo Jima. I expected far better from George Lucas but he made it look as if I was watching another of his Star Wars movies and his pilots were attacking the Death Star. There was also just too much unrealism like the P-40's appearing far superior to the ME 109's when in reality, it was the other way around. Or the four P-40's attacking the Luftwaffe base and practically destroying the whole base with little damage to themselves. Or the P-51 attacking the German destroyer causing massive explosions all throughout the ship, not to mention that by 1944, German surface ships were pretty much non-existent. And the B-17 bomber was a tough airplane and not brittle like the movie made it to be with wings sawed in half from enemy bullets. I also couldn't buy one of the white POW's who escaped with one of the Tuskegee airman (Junior), showing up at Ramstein air base to give them back Junior's dog tags then later on, Junior appearing back at the base. They were also very heavy with the touchy feely music throughout the movie.
The history of the Tuskegee Airmen is a great story to tell but this movie did a disservice and all too predictable. It's just too bad that movies drawn from historic events cannot be portrayed that way and instead, have to be Hollywoodized! This must've been a major disappointment for Cuba Gooding Jr., who starred in The Tuskegee Airmen.
I loved it. I cracked up nearly the entire time, even though my husband next to me wasn't quite as amused. But he liked the first one slightly more. I guess we just have different tastes.
Anyway, if you enjoyed the first one, I swear this isn't one of those comedy sequels that spends the whole time going "hey, remember our last movie and how we did this one thing and it was funny? Right? Remember that joke?" (22 Jump Street being one example). Yes, HB2 makes some shout-outs to the first movie. Duh, it's a sequel. But it's nowhere near annoying, in my opinion.
The story is funny and *mostly* believable, and to me that's good enough for a comedy. The cast is still just as on the ball as they were in the first, and I even found their chemistry better this time. Those 3 men work wonderfully together, and when you add in Chris Pine it becomes even more hilarious. Plus several other great names.
In summary, I found myself breathless with laughter during about 90% of this movie, and to me that makes it absolutely worth the ticket. I plan to buy it the day it comes out.
I love eccentric characters whether they are the silent Mr. Bean, the bumbling Inspector Clouseau or even the wealthy treasure hunter Scrooge McDuck. Like any good story about an outcast, they are deemed stranger then the rest of the world and tend to use that to their advantage to find a gold mine or crack the latest case in France. I too consider myself an eccentric with my oddball quirks and strange interests including amusement park history and animation. You could say that everyone has a little eccentric inside of them, but only few would dare express it as their full personality.
Cinema is a large home to this breed of person. Often you will find these people associated with comedies as they make it aware that the characters behavior is more out of place, even if the world they live in is exaggerated or romanticized. Though I would love to see a drama about an oddball, these try to explain some mental illness like that their sick or something. This is something that I wish more movies would try to cut away from and simply explain that this is your hero and he's this way just because. We get another quirky eccentric with Mortdecai.
Lord Charlie Mortdecai (played by Johnny Depp) is a pompous, wealthy art dealer who tries to portray himself as classy, comes off of a goof. He lives in a large home along with his man servant/muscle Jock Strapp (played by Paul Bettany) and his wife who he always declares as the love of his life Johanna (played by Gwyneth Paltrow). A Goya painting is stolen from a woman that was working on restoring the artwork. So this puts inspector Alistair Martland (played by Ewan McGregor) on the case. He has a thing for Johanna, so he contacts Mortdecai for his services, knowing that this would keep the eccentric busy while he get's cozy with the wife.
Mortdecai's investigations unveil that the painting was once taken by Nazis and may have codes on it that lead to a lost Swiss bank account. He also finds the painting stashed in his car, leading the police to believe that Mortdecai himself took the painting. He travels to Los Angeles to engage in an art transaction with Milton Krampf (played by Jeff Goldbloom). Johanna and Martland follow suit as they may be closer to finding the real thieves then Mortdecai is.
Johnny Depp has had some trouble in recent years with Dark Shadows, The Lone Ranger and Transcendence all bombing. He was hoping that Mortdecai would be his big comeback and start a new franchise. I was hoping this would work, but this just may be his lowest point. While the character may be funny on paper, Depp's portrayal seems more like a bad improv piece then a genuine performance. I can tell he's trying his hardest, but no other actor could have saved it from it's shockingly unfunny script. It seems like Depp simply got stuck with a character that no one else wanted to play.
I have no clue for who this movie was made for. Certainly not for children as this has an R rating. Not for teenage fans of Depp that will find this too boring. Not for a mainstream adult audience that will see this as too highbrow. Not for a highbrow society as they will see this as too silly. I'm convinced that this was made just so that Johnny Depp can have fun with both Gwyneth Paltrow and Ewan McGregor. Congratulations Mr. Depp, because you just got a project that is unfunny, boring, crude yet not crude, and even manage to take down two great actors with you.
I'll give this half a Goya painting out of ten. What should have been a match made in heaven, Pink Panther-like movie will only stand as an embarrassment to a really talented individual who should be ashamed of himself!
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